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Since 1998, I have the chance to live the marvellous experiment to carve in a noble and accessible material, and especially the challenge to carve in the large one. To carve in the direct cutting, in a tree of 20 feet top, like a woodpecker, accompanied by its resonance and its smells, inevitably, my creation reveals primitive and Amerindian pattern. The beating rhythm of the chisel in wood also reveals me the sense of sacred sculpture art.

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